My printmaking began as a form of personal expression which was independent of the constraints imposed by working to commission in architectural mosaic work.
The world of fun and fantasy found in medieval manuscripts and carvings is explored in my Bestiary Series of etchings and aquatints.
The collographs developed in parallel with my mosaic work which has a strong emphasis on texture and the raised levels of contrasting materials.
Now print making has become a way to make experimental images which can reach a wider public because of their lower price when editioned.
See Gallery.